Tuesday, November 30, 2010
THE HISTORY OF ROMANCE 2010
THE HISTORY OF ROMANCE, 2010. Collage on paper. From the series, Where Does It Itch? Each 30 x 20.5 cm.
TROUBLE ON THE FARM 2010
TROUBLE ON THE FARM, 2010. Collage on paper. From the series, Where Does It Itch? Each 30 x 20.5 cm.
MISUNDERSTANDING REALITY 2010
MISUNDERSTANDING REALITY, 2010. Collage on paper. From the series, Where Does It Itch? Each 30 x 20.5 cm.
SCIENCE IN THE USSR 2010
SCIENCE IN THE USSR, 2010. Collage on paper. From the series, Where Does It Itch? Each 30 x 20.5 cm.
NEWS FROM SRI LANKA 2010
NEWS FROM SRI LANKA, 2010. Collage on paper. From the series, Where Does It Itch? Each 30 x 20.5 cm.
THE END OF PHILOSOPHY 2010
THE END OF PHILOSOPHY, 2010. Collage on paper. From the series, Where Does It Itch? Each 30 x 20.5 cm.
Monday, November 29, 2010
Paintings: Silkscreen Edition Text Works
Paintings Series (1999 is an edition of 10 with three artist proof sets. Ink on Paper. Sheet measuring 30" by 22 1/2".
The series is comprised of enlarged museum post card legends (captions) and include "works" by Rembrandt, Munch, Giotto, Morandi, Vermeer and other masters.
These works stem from an ongoing interest in "word as image," and the texts in various languages intimate a range of meanings (images) to differing language speakers. The "names" of these paintings, translated by someone, presumably in a large museum or indeed, in a post card (printing) facility, are rife with typographical errors, and grammatical mistakes. The translations themselves are quite a bit off, due, one can assume, to the "unofficial" nature of the translations and the business approach to pumping out product...for museum goers.
The pieces – silkscreen on fine art paper - also tell the story of a kind of image removal, as the original texts lifted from post card captions, enlarged several times on common photocopiers, then turned into a positive (black) film, then transferred to screen, and finally printed tell a story of how texts (and images) are subtly transformed through printing.
This series is permanently installed in the Boca Raton Museum of Fine Art, Boca Raton, Florida. The works have been exhibited in Paris (1999), Antwerp (2000) and London (2012).
Click on the essay (right) by Chris Mooney to enlarge and read.
There are several sets still available. Contact.
The series is comprised of enlarged museum post card legends (captions) and include "works" by Rembrandt, Munch, Giotto, Morandi, Vermeer and other masters.
These works stem from an ongoing interest in "word as image," and the texts in various languages intimate a range of meanings (images) to differing language speakers. The "names" of these paintings, translated by someone, presumably in a large museum or indeed, in a post card (printing) facility, are rife with typographical errors, and grammatical mistakes. The translations themselves are quite a bit off, due, one can assume, to the "unofficial" nature of the translations and the business approach to pumping out product...for museum goers.
The pieces – silkscreen on fine art paper - also tell the story of a kind of image removal, as the original texts lifted from post card captions, enlarged several times on common photocopiers, then turned into a positive (black) film, then transferred to screen, and finally printed tell a story of how texts (and images) are subtly transformed through printing.
This series is permanently installed in the Boca Raton Museum of Fine Art, Boca Raton, Florida. The works have been exhibited in Paris (1999), Antwerp (2000) and London (2012).
Click on the essay (right) by Chris Mooney to enlarge and read.
There are several sets still available. Contact.
Saturday, November 27, 2010
UNDERSTANDING MODERN ART 2010
UNDERSTANDING MODERN ART, 2010. Collage on paper. From the series, Where Does It Itch? Each 30 x 20.5 cm.
BOAT TRIP 2010
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